A kind of trilogy of shows, debuted at the Adelaide Fringe beginning in 2018. In the first show, Pearls, I told the story of my mum’s strange pearls of wisdom. In the second, The Forgettory, I explored the meaning of family memory. In the final, An Evening With the Vegetarian Librarian, I brought it all together in a much more light-hearted piece telling the story of how a librarian became a funeral celebrant (well, one version of it anyway). 

Written and performed as monologues, these shows mark a significant change in the direction of my work. When I started writing Pearls I was intending to write a conventional memoir for publication. However, the more I wrote, the more I realised I was writing a piece for performance. It was a bit scary (terrifying) deciding to put on a show. I have dabbled in stand-up, but I had never written for theatre and I hadn’t acted since I was Grandpa Joe in Port Pirie Youth Theatre’s production of Charlie and the Chocolate Factory. But it’s been worth every scary (terrifying) second. Learning how to perform has given me a whole new way to see my writing.

Each piece has been debuted at the Adelaide Fringe, but I have also performed at other venues around South Australia.

an evening with the vegetarian librarian

Adelaide Fringe Festival 2020, forthcoming dates to be announced soon

She might be a vegetarian, but she’s also the Gen-X meat in the inter-generational sandwich of the modern workplace.

A mostly true, slightly made-up tale of thwarted ambition, underachievement, and a funeral in a library. A meditation on reading and an ode to life before the device.

“…clever, beautifully written … the booming laughter a testament to Crisp’s unique craft.” Isabella Fowler, The Advertiser


The Forgettory

Adelaide Fringe Festival 2019, Yankalilla 2019, ZestFest 2019

After selling out at the Adelaide Fringe, I am remounting The Forgettory as part of ZestFest in October. 

Alone in a new city, her last bottle of wine nearly empty, a woman drinks but never forgets. Meanwhile, on the other side of the world, her grandfather wanders the past fighting to remember. Told with poignancy and humour, a compassionate, engaging story about a woman’s identity and ageing. If we don’t remember who we were, then who do we become?

Tracy Crisp’s stories of memory and family are so vivid and affecting in The Forgettory they stay with you long after the theatre lights fade.” Louise Nunn, The Advertiser, five stars.



First performed at Adelaide Fringe 2018

In the search for a string of pearls, a daughter travels to her abandoned childhood home and a mother travels from Port Pirie to Paris without ever leaving Australia. Family relics abound: ashtrays, a Princess Diana jigsaw, a commode used as a table. Memories are ignited then questioned. And still the pearls cannot be found. Family fractures deepen until finally a heartbreaking, but healing truth is revealed. Combining theatre and storytelling this is a story that will make you laugh, then cry, then laugh again.